There are few moments more gratifying for an author than the day his or her book gets released. So, I would like to extend a hearty congrats to my uber-talented writer friends Kirsten Smith (Trinkets) and Margaux Froley (Escape Theory) who saw their book babies into the world today. YA fans, I urge you to go buy both of these great book right now. Seriously. What are you waiting for? And since March 12th also happens to be my birthday, I guess that makes us triplets. If a 40-something human could be biologically related to hardcover books.
BOTH of these great books made Publisher Weekly’s Best New Books of the Week! Synopsis (lifted from Goodreads) are below.
TRINKETS by Kirsten Smith
Sixteen-year-old Moe’s Shoplifters Anonymous meetings are usually punctuated by the snores of an old man and the whining of the world’s unhappiest housewife. Until the day that Tabitha Foster and Elodie Shaw walk in. Tabitha has just about everything she wants: money, friends, popularity, a hot boyfriend who worships her…and clearly a yen for stealing. So does Elodie, who, despite her goodie-two-shoes attitude pretty much has “klepto” written across her forehead in indelible marker. But both of them are nothing compared to Moe, a bad girl with an even worse reputation.
Tabitha, Elodie, and Moe: a beauty queen, a wallflower, and a burnout-a more unlikely trio high school has rarely seen. And yet, when Tabitha challenges them to a steal-off, so begins a strange alliance linked by the thrill of stealing and the reasons that spawn it.
ESCAPE THEORY by Margaux Froley
Sixteen-year-old Devon Mackintosh has always felt like an outsider at Keaton, the prestigious California boarding school perched above the Pacific. As long as she’s not fitting in, Devon figures she might as well pad her application to Stanford’s psych program. So junior year, she decides to become a peer counselor, a de facto therapist for students in crisis. At first, it seems like it will be an easy fly-on-the-wall gig, but her expectations are turned upside down when Jason Hutchins (a.k.a. “Hutch”), one of the Keaton’s most popular students, commits suicide.
Devon dives into her new role providing support for Hutch’s friends, but she’s haunted by her own attachment to him. The two shared an extraordinary night during their first week freshman year; it was the only time at Keaton when she felt like someone else really understood her. As the secrets and confessions pile up in her sessions, Devon comes to a startling conclusion: Hutch couldn’t have taken his own life. Bound by her oath of confidentiality—and tortured by her unrequited love—Devon embarks on a solitary mission to get to the bottom of Hutch’s death, and the stakes are higher than she ever could have imagined.